Question about violin bridge.?
I was wondering if the shape of the bridge makes a difference in the sound that is produced by my violin.
Right now I have a bridge that has one side higher than the other. For instance, my G-String is higher than the other strings.
Also, when I am playing, since my E string is real close to my instrument, it tends to bump into the side of my violin. This makes rosin go all over the place.
I was thinking of buying one that is the same level on both sides. Doesn anyone have any suggestions for me.
Thanks.
Well, its made that way, so it won’t be so easy to hit two strings at once, if you don’t want to. The main thing to be concerned about when considering replacement bridges is the weight of the bridge. The heavier a bridge is, the more it will dampen the vibration of the strings, so your instrument won’t have as much volume and the notes won’t sustain as long. A bridge has to be well engineered though, so it can still be strong and as light as possible … which usually means the old saying is still true “You get what you pay for”.
Palatino Violin Bridge Installation (full)
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Crossing Bridges $15.98 Mark O’Connor is one of the most difficult musicians to categorize, especially when listening to a stunning release such as Crossing Bridges. Although his roots are in bluegrass, he is equally at home performing or composing jazz and classical music while freely mingling elements of each genre into a project. The violinist’s meeting with violist Carla Cook and cellist Natalie Haas might be described as chamber music without boundaries. The opening medley of “Chief Sitting in the Rain” and “College Hornpipe” transforms two traditional bluegrass standards learned from O’Connor’s mentor Benny Thomasson, with both Cook and Haas adding their stamp to the earlier version conceived by O’Connor and bassist Edgar Meyer. “Blackberry Mull” was inspired by the old folk tune “Blackberry Blossom,” which O’Connor re-harmonized during a trip to Scotland. “Appalachia Waltz” was recorded previously by O’Connor with cellist Yo-Yo Ma and Meyer, and it remains one of the most moving compositions in the violinist’s vast repertoire. This slight change of instrumentation makes little difference; this interpretation ranks with his earlier recording. “F.C.’s Jig” is a playful duet by O’Connor and Cook, while the traditional folk favorite “Limerock” is a marvelous duet by the violinist and Haas. It is amusing to learn that some of Mark O’Connor’s fans want to stick to just one musical genre. This virtuoso performer and composer seems driven to an impossibly higher level of accomplishment when working with players as accomplished as Carla Cook and Natalie Haas. This is yet another essential CD by the prolific violin master Mark O’Connor. ~ Ken Dryden, All Music Guide |
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Bridges. $12.64 Buy and sell [Bridges.] at great prices. |
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Concerto for violin and viola (recital version) Sheet Music $35 By Johann Sebastian Bach. Edited by Robert Bridges. Arranged by Robert Bridges. For violin, viola, keyboard. This edition: viola/violin. Reconstruction of lost Bach concerto circa 1731, edited by Robert Bridges. Recital version includes: Solo violin, solo viola, keyboard, and optional cello continuo. Baroque. Level: medium. Sheet music. Published by RBP Music Publishers. |
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